宋 馬麟 靜聽松風（畫心）3才

?宋 馬麟 靜聽松風（畫心）3才?

◆Listening to the Rustling of Pines◆
理宗書「靜聽松風」，下鈐「丙午」、「御書」二璽，

左下鈐「緝熙殿寶」印，成畫年代下限為淳祐六年（1246）。


前景高士戴冠覆紗，左腳半跏，右腳舒展，胸部微袒，右手輕執衣帶，


一拂塵置於地。高士凝神諦聽，松葉、藤蘿等都隨風勢翻飛，


松濤聲在蜿蜒水流和遠景山峰圍繞的空間迴盪。


清高宗題詩認為畫中人物為「特愛松風，每聞其響，欣然為樂」的梁朝陶弘景。


亦有學者比對理宗肖像，認為此畫呈現理宗愛松形象。

◆絹本畫布處理　仿真質感精良易保養◆
In the upper right corner of this painting Emperor Lizong wrote the four characters for its title and also impressed two imperial seals for "Bingwu" and "Yushu." Also in the lower left is impressed the imperial collection seal "Treasure of the Qixi Hall." This evidence indicates that the painting was done no later than 1246. In the foreground sits a lofty scholar wearing a gauze cap with his left leg half crossed and the other extended comfortably. With his chest partially exposed， his right hand lightly grasps his clothing as a flywhisk lies on the ground. The scholar concentrates on listening with all his attention， the pine needles and vines blowing in the strong wind， the sound of which seems to echo in the space of flowing water and surrounding peaks behind him. The Qing emperor Gaozong (Qianlong) in his verse at the top of the work considered the figure in the painting as "especially appreciative of the wind in pines， taking great joy with each sound of the wind as if it were music，" borrowing from the lines of Tao Hongjing in the Liang dynasty. Compared to the portrait of Emperor Lizong， there is also scholarly opinion that this painting depicts the emperor himself appreciating pines.

◆歡迎客製訂購　送禮自用藝術時尚◆
理宗?書「??松風」?下?「丙午」、「御書」???印璽?押捺?二???、左下?「緝熙殿?」???印???。製作年代?淳祐6年（1246）?下限???。前景?帽子????紗?衣?????高士???、左足?折?曲?右足?伸?????。胸元??????、右手??????????。??傍??地面???????置????。高士?耳?澄???何??聞?入???????、松葉?藤蔓?風?吹???翻?、?????流?行?川?遠方?見??山??????空間?松風?音?響????。清高宗?題詩??中?人物?、「特愛松風、每聞其響、欣然為?（松風??????好?、??音?????喜?????）」???梁朝?陶弘景???。理宗?肖像??比較??、??作品??松?好??理宗??????表現????????研究者???。

Man Lin was a native of Ho-chung(modern Shansi)， though he moved to Hangchou， Chekiang. He was the son of the famous court painter Ma Yuan and excelled in painting landscapes， figures， and birds and flowers. He developed his own particular style distinct from that of his father.